Diseño de un proyecto integral para la conservación del Patrimonio Arqueológico en la parroquia Caranqui
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Date
2023
Journal Title
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Volume Title
Publisher
PUCE - Ibarra
Abstract
El proyecto integral para la conservación del patrimonio arqueológico en la parroquia Caranqui, aborda de forma completa una propuesta establecida en la realidad de un complejo contexto patrimonial inmerso en la parroquia urbana de Caranqui, la cual posee características y problemáticas específicas inherentes al patrimonio, la identidad cultural y los procesos de consolidación, el contexto donde se emplazan las estructuras arqueológicas evidencian aislamiento y deterioro progresivo las estructuras arqueológicas por procesos urbanos, riesgos antrópicos y naturales, por consiguiente, ocasionando la pérdida de identidad cultural por desconocimiento de la historia y la existencia de estos bienes patrimoniales inmuebles que sobreviven al paso del tiempo. Estos argumentos son los preliminares para establecer el diseño del proyecto integral, cuyo propósito es vincular las edificaciones erigidas que son testigos en el pasado y el presente de la parroquia Caranqui. La prioridad yace en la preservación de las estructuras arqueológicas, fomentando la identidad cultural y la vida en comunidad, donde el habitante es el protagonista el cual enriquece el presente y establece la conservación en el futuro. Cada una de estas estructuras se convierte en un hito de encuentro entre la memoria y la contemporaneidad. La propuesta urbana plantea conectar los principales hitos arqueológicos de la parroquia, el montículo denominado Tola Emapa y el sitio arqueológico Inca Huasi, a los espacios públicos existentes de mayor relevancia mediante el rediseño de vías existentes, diferenciación por características de los tipos de vías propuestas, el mejoramiento las condiciones de las mismas, la conformación de sendas peatonales acentuando la actual necesidad de incluir vegetación en el espacio público, y enfatizando la preferencia hacia el peatón en el espacio público existente y propuesto vinculándolo al equipamiento a presentarse. El equipamiento planteado se vincula a un conjunto de espacios propuestos cuya síntesis permite generar un hito para la comunidad y la parroquia, compuesto así por espacios complementarios, cuya integración al espacio público fomente la identidad cultural y proteja las áreas arqueológicas, permitiendo la conservación del patrimonio tangible e intangible. Por su parte la propuesta arquitectónica instaura un museo de sitio vinculado a la propuesta urbana, emplazado en el sitio arqueológico más importante dotando de protección, conservación y revalorización de la cultura prehispánica de la parroquia Caranqui, los hitos, conjuntos, tradiciones y memoria colectiva, generando así un espacio que responde a un concepto análogo a los sistemas constructivos ancestrales empleados en la edificación de estas estructuras. Así el proyecto establece la relación intrínseca entre el pasado y el presente, donde la comunidad establece esa conexión. El diseño integrado honra al pasado que es fuente de identidad y establece así un compromiso para preservar el medio ambiente para las generaciones venideras.
The integral project for conservation of archaeological heritage in Caranqui parish, comprehensively addresses a proposal set up in the reality of a complex heritage context immersed in the urban parish of Caranqui, which has specific characteristics and troubles inherent to heritage, cultural identity, and consolidation processes. The context where Archaeological structures are found shows abandonment and progressive deterioration of these, due to urban processes, anthropic and natural risks, as well as the loss of cultural identity, ignorance of history and the remaining existence of these buildings that survive the passage of time. These arguments are the preliminaries to prove the design of the comprehensive project, whose purpose is to link the buildings erected that are witnesses to the past and present of the Caranqui parish. The priority lies in the preservation of archaeological structures, fostering cultural identity and community life, where the inhabitant is the protagonist and enriches the present and shows the conservation in the future. Each of these structures becomes a landmark of encounter between memory and contemporaneity.The urban proposal consist in connecting the main archaeological landmarks of the parish, the mound called Tola Emapa and the Inca Huasi archaeological site, to the existing public spaces of greater relevance through the redesign of existing roads, differentiation by characteristics of the types of proposed roads, the improvement of the conditions of them, the creation of pedestrian paths emphasizing the current need to include vegetation in the public space, and also the preference towards the pedestrian in the existing and proposed public space, linking it to the equipment to be presented.The proposed equipment is linked to a set of spaces whose synthesis allows generating a landmark for the community and the parish, thus composed of complementary spaces, whose integration into the public space promotes cultural identity and protects archaeological areas, allowing the conservation of tangible and intangible heritage.The architectural proposal proves a site museum linked to the urban proposal, found in the most important archaeological site, supplying protection, conservation, and revaluation of the pre-Hispanic culture for the Caranqui parish, the milestones, ensembles, traditions, and collective memory, thus generating a space that answers to a concept analogous to the ancestral construction systems used in the edification of these structures.In this way, the project proves the intrinsic relationship between the past and the present, where the community forges that connection. The integrated design honors the past as a source of identity and thereby commits to preserving the environment for future generations.
The integral project for conservation of archaeological heritage in Caranqui parish, comprehensively addresses a proposal set up in the reality of a complex heritage context immersed in the urban parish of Caranqui, which has specific characteristics and troubles inherent to heritage, cultural identity, and consolidation processes. The context where Archaeological structures are found shows abandonment and progressive deterioration of these, due to urban processes, anthropic and natural risks, as well as the loss of cultural identity, ignorance of history and the remaining existence of these buildings that survive the passage of time. These arguments are the preliminaries to prove the design of the comprehensive project, whose purpose is to link the buildings erected that are witnesses to the past and present of the Caranqui parish. The priority lies in the preservation of archaeological structures, fostering cultural identity and community life, where the inhabitant is the protagonist and enriches the present and shows the conservation in the future. Each of these structures becomes a landmark of encounter between memory and contemporaneity.The urban proposal consist in connecting the main archaeological landmarks of the parish, the mound called Tola Emapa and the Inca Huasi archaeological site, to the existing public spaces of greater relevance through the redesign of existing roads, differentiation by characteristics of the types of proposed roads, the improvement of the conditions of them, the creation of pedestrian paths emphasizing the current need to include vegetation in the public space, and also the preference towards the pedestrian in the existing and proposed public space, linking it to the equipment to be presented.The proposed equipment is linked to a set of spaces whose synthesis allows generating a landmark for the community and the parish, thus composed of complementary spaces, whose integration into the public space promotes cultural identity and protects archaeological areas, allowing the conservation of tangible and intangible heritage.The architectural proposal proves a site museum linked to the urban proposal, found in the most important archaeological site, supplying protection, conservation, and revaluation of the pre-Hispanic culture for the Caranqui parish, the milestones, ensembles, traditions, and collective memory, thus generating a space that answers to a concept analogous to the ancestral construction systems used in the edification of these structures.In this way, the project proves the intrinsic relationship between the past and the present, where the community forges that connection. The integrated design honors the past as a source of identity and thereby commits to preserving the environment for future generations.
Description
Keywords
Caranqui, Hito arqueológico, Patrimonio, Museo de sitio, Identidad cultural