Propuesta para la Implementación de técnicas de interpretación en el centro cultural el cuartel
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Date
2025
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Publisher
PUCE - Ibarra
Abstract
El presente trabajo de investigación tiene como objetivo principal proponer la implementación de técnicas de interpretación en la Sala Rafael Troya del Centro Cultural El Cuartel , ubicado en la ciudad de Ibarra, provincia de Imbabura. Esta propuesta busca mejorar la experiencia de los visitantes mediante estrategias interpretativas que faciliten la comprensión y apreciación de la obra del artista ecuatoriano Rafael Troya, cuyo legado pictórico es un referente en la historia del arte nacional. Para ello, la investigación se estructura en tres ejes fundamentales: la vida y trayectoria de Rafael Troya , donde se analiza su biografía, formación artística e influencias; el análisis de su obra pictórica , destacando las técnicas, temáticas y estilo visual que caracterizan su producción artística; y el impacto cultural e histórico de su legado , enfatizando su contribución a la evolución del arte ecuatoriano y su relevancia dentro del patrimonio cultural. La metodología empleada en este estudio se basa en un enfoque cualitativo, con revisión bibliográfica, análisis documental y observación en campo, lo que permite comprender la necesidad de implementar estrategias interpretativas en el centro cultural. Se examinan casos de referencia en museos y centros culturales nacionales e internacionales que han aplicado técnicas de interpretación exitosas, con el fin de adaptar aquellas que mejor se ajustan a la realidad del Centro Cultural El Cuartel. Como resultado, se plantean una serie de estrategias interpretativas innovadoras, incluyendo paneles informativos, guías interactivas, mediación cultural y el uso de recursos tecnológicos, con el fin de mejorar la experiencia del visitante y fomentar el interés por la obra de Rafael Troya. La investigación concluye que la implementación de estas técnicas contribuirá significativamente a la valorización del arte ecuatoriano, fortalecerá la identidad cultural y consolidará al Centro Cultural El Cuartel como un referente en la interpretación y gestión del patrimonio.
The present research aims to propose the implementation of interpretative techniques in the Rafael Troya Hall of the El Cuartel Cultural Center, located in the city of Ibarra, Imbabura province. This proposal seeks to enhance the visitor experience through interpretative strategies that facilitate the understanding and appreciation of the work of Ecuadorian artist Rafael Troya, whose pictorial legacy is a key reference in the history of national art. To achieve this, the research is structured around three fundamental axes: the life and career of Rafael Troya, analyzing his biography, artistic training, and influences; the analysis of his pictorial work, highlighting the techniques, themes, and visual style that characterize his artistic production; and the cultural and historical impact of his legacy, emphasizing his contribution to the evolution of Ecuadorian art and his relevance within cultural heritage. The methodology employed in this study is based on a qualitative approach, including bibliographic review, documentary analysis, and field observation, allowing for a deeper understanding of the need to implement interpretative strategies in the cultural center. Reference cases from national and international museums and cultural centers that have successfully applied interpretative techniques are examined to adapt those best suited to the reality of the El Cuartel Cultural Center. As a result, a series of innovative interpretative strategies are proposed, including informational panels, interactive guides, cultural mediation, and the use of technological resources to enhance the visitor experience and foster interest in Rafael Troya's work. The research concludes that the implementation of these techniques will significantly contribute to the appreciation of Ecuadorian art, strengthen cultural identity, and establish the El Cuartel Cultural Center as a benchmark in heritage interpretation and management.
The present research aims to propose the implementation of interpretative techniques in the Rafael Troya Hall of the El Cuartel Cultural Center, located in the city of Ibarra, Imbabura province. This proposal seeks to enhance the visitor experience through interpretative strategies that facilitate the understanding and appreciation of the work of Ecuadorian artist Rafael Troya, whose pictorial legacy is a key reference in the history of national art. To achieve this, the research is structured around three fundamental axes: the life and career of Rafael Troya, analyzing his biography, artistic training, and influences; the analysis of his pictorial work, highlighting the techniques, themes, and visual style that characterize his artistic production; and the cultural and historical impact of his legacy, emphasizing his contribution to the evolution of Ecuadorian art and his relevance within cultural heritage. The methodology employed in this study is based on a qualitative approach, including bibliographic review, documentary analysis, and field observation, allowing for a deeper understanding of the need to implement interpretative strategies in the cultural center. Reference cases from national and international museums and cultural centers that have successfully applied interpretative techniques are examined to adapt those best suited to the reality of the El Cuartel Cultural Center. As a result, a series of innovative interpretative strategies are proposed, including informational panels, interactive guides, cultural mediation, and the use of technological resources to enhance the visitor experience and foster interest in Rafael Troya's work. The research concludes that the implementation of these techniques will significantly contribute to the appreciation of Ecuadorian art, strengthen cultural identity, and establish the El Cuartel Cultural Center as a benchmark in heritage interpretation and management.
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Keywords
Interpretación del patrimonio, Rafael troya, Centro cultural el cuartel, Técnicas interpretativas, Arte ecuatoriano